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When the impressionable young Izzy immigrates with his Arab family to rural Alberta, he becomes the salvation pet project for Pastor Isaac, a local Christian youth leader eager to mould him. Torn between his sexual desires for his friend Will and Isaac’s persuasive indoctrination, Izzy must find a way to reconcile his internalized shame and deep spiritual faith before it consumes him. Meanwhile, in a surreal reimagining of Eden/A’den, Aadam and Hawa—the first couple of the Qur’an—find their relationship turned upside down when Aadam is tempted by the proverbial white-skinned man, Steve, from the north.
With the gravitas of a Greek tragedy, The Hooves Belonged to the Deer is a bold and blistering indictment of white Christian imperialism. Makram Ayache’s daring play confronts the painful intersections of homophobia, Islamophobia, and colonialism, refusing to offer easy resolutions. Erotically charged and panoramic in scope, this cautionary tale illuminates the lingering scars of religious trauma while offering a profound reckoning and prayer for rebirth.
Cast size: 6 actors, doubling
Male roles: 5
Female roles: 1
“It’s a challenging, stylistically bold and audacious new work that has so many layers it warrants study and multiple viewings.”
- Glenn Sumi, So Sumi, Critic’s Pick
“A disturbing theatrical work that rocked me right to my core. Theatre can do just that.”
- Joe Szekeres, Our Theatre Voice
“It is sexy, provocative, and dares to explore the darkest reaches of where internal conflict can be pushed.”
- Samantha Wu, Broadway World
“The Hooves Belonged to the Deer, a smart and sensual new play by Makram Ayache . . . is the most excitingly theatrical piece of new writing to premiere in Toronto so far this season . . . the writing works in all its registers—and even, in instances, calls to mind the world-bending of Angels in America-era Tony Kushner.”
- J. Kelly Nestruck, The Globe and Mail, Critic’s Pick